On holiday, with his family, nothing to do and his wife ill, Sasha (Alexander) is only too pleased to meet again the girl he loved at 17.

Childhood friends Hyeon-nam and So-ra are currently attending the same university. So-ra has a knack for Hyeon-nam, but his heart is focused on Eun-bi, a college assistant. La-ik, a cafe owner who dazzles Hyeon-nam, teaches him how to steal Eun-bi's heart.

Main character of this movie is Rene Rupnik, a former math teacher. He is forty years old and lives together with his mother in a desolate block of flats. Ever since his early youth women with big breasts have fascinated him, because they symbolise a kind of earth mother to him. He has never had an especially close relationship with his own mother; she was too 'bony' for him. Object of Rene's fantasy is the actress Senta Berger, to him everything a woman should be. Standing by the blackboard and explaining the mathematical laws of sine and cosine ('sinus' is bosom in Latin), Rene sings the praises of the female curves and those of Santa Berger in particular. Filmmaker Ulrich Seidl let the former teacher speak freely about his obsessions and desires, intercutting his monologues with scenes from the protagonist's day-to-day life.

The moment Riley meets Chris, she thinks he is handsome, charming and affectionate. He seemed perfect, but after a party at his house, Riley sees that Chris has a darker side. His adoration turns to obsession, her dream into a nightmare and she must figure out what he is after.

The moment Riley meets Chris, she thinks he is handsome, charming and affectionate. He seemed perfect, but after a party at his house, Riley sees that Chris has a darker side. His adoration turns to obsession, her dream into a nightmare and she must figure out what he is after.

Joon-seok is sent to prison for his involvement in Dong-soo's death. He meets Dong-soo's son in prison, keeps his identity a secret, and agrees to join forces when he is released. All of their plans fall apart when Sung-hoon finds out the truth.

After the end of World War II, a collaborationist seeks redemption.

Giorgi follows his son's request and goes to the city to spend the winter. Only Loma, Giorgi's Caucasian shepherd remains in thedeserted village.

Through all the years, someone was watching over him but he never knew.

The film uses delicacy and humor to describe the authoritarian functioning of a typically Brazilian 1950 family in Rio de Janeiro. The family is headed by a matriarch anxiously waiting for the night to hear Carlos Lacerda. The intense emotional plot highlights the absurdity of the characters' behavior.